Skip to content

Schemes of heraldic art

Coat of arms of the municipality of Segovia, Castile and Leon. The image shows in 2 steps how I emblazoned it. Blazon: Azure, an aqueduct Argent, masoned sable ensigned with a maiden's head proper.
Schema for the coat of arms of the municipality of Segovia emblazoned by me in two steps 1) outlined with ratios and 2) plain tinctures.
Coat of arms of Karen Cantrell emblazoned by me in 2 steps: delineation and lights and shadows. Blazon: Or, on a fess Gules, between in chief two lotus blossoms Azure, and in base a lion rampant Gules, armed and langued Azure, a lion passant Or, armed and langued Azure, between two crosses flory Or. Crest: A crown Sandal of Fetor of Kupang.
Schema for the coat of arms of Karen Cantrell emblazoned by me in two steps 1) outlined and 2) lights and shadows.
Arms of Alain Fontaine emblazoned by me in 2 steps. Blazon: Per bend sinister, Argent an escallop Gules and Sable a lotus flower Or. Crest: On a wreath Argent and Sable an oak-tree fructed proper.
The coat of arms of Alain Fontaine emblazoned by me in 2 steps.
Csernely is a village in Borsod-Abaúj-Zemplén county, Hungary. The following schema shows how I emblazon its coat of arms following the rule of 1/3 of the width of the coat of arms. The official description, not the blazon, is: «...in the blue field of a shield standing on its snout two silver-coloured church towers with onion-shaped cupolas and crosses on their peaks are rising on a green hill. Between them a silver ploughshare is floating with its point upside down...». Notice the mount color Vert over a field color Azure, not uncommon in this heraldic tradition.
Schema for the coat of arms of the municipality of Csernely emblazoned by me in four steps steps 1) ratios, 2) outlined, 3)plain tinctures, and 4) lights and shadows.
These are the arms of Alton Thompson of the family Josserand de Bourgogne emblazoned by me in 6 steps: 1, 2) structure and delineation of the double tressure, 3, 4) structure and delineation of the Corvus corax trian volant, 5) plain tincture, and 6) lights and shadows. Blazon: Argent, a double tressure flory Sanguine, overall a Corvus corax trian volant proper.
Schema for the coat of arms of Alton Thompson of the family Josserand de Bourgogne emblazoned by me in six steps.
Coat of arms of Emanuele Di Culcasi, Italy, emblazoned by my under the directions of Alfonso Ceballos-Escalera Gila, Cronista de Armas de Castilla y León. The image shows the evolution of my artwork in 2 stages outlined, and plain tinctures.
Arms of Emanuele Di Culcasi emblazoned under the directions of the Cronista de Armas de Castilla y León in 2 steps outlined and plain tinctures.
The coat of arms of Jean-Christophe Loubet del Bayle emblazoned by me step by step. Blazon: Or, a wolf passant Gules; on a chief Gules, three bells Or.
Schema for the coat of arms of Jean-Christophe Loubet del Bayle emblazoned by me in nine steps.
Coat of arms of Danny B. Warner emblazoned by me in 4 steps: geometrical sketch, outlined, plain tinctures and lights and shadows. Blazon: Sanguine, a cross potent cantoned of crosslets between four compass roses, 2, 2, and on a base embattled Argent two hands clasped, the dexter Carnation the sinister Brown, both vested Sanguine.
Schema for the coat of arms of Danny B. Warner emblazoned by me in four steps.
An aqueduct Argent emblazoned by me in 3 steps: delineation, plain metal Argent, and lights and shadows. It is a preparatory artwork for the coat of arms of Segovia and I based my drawing on the aqueduct of Segovia.
An aqueduct Argent emblazoned by me in 3 steps: delineation, plain metal Argent, and lights and shadows. It is a preparatory artwork for the coat of arms of Segovia and I based my drawing on the aqueduct of Segovia.
1) Draw the dexter arc; 2) Draw the sinister arc; 3) Create the line of division for the party per pale using the 2 diagonals; 4) Create a bend chequey with 1/3 of the width of the 1st quarter, and 4 pallets using Thales' theorem; 5) Delineate using 3 different thicknesses; and 6) Apply plain colors and metals.
Arms of the Cavalieri Normanni della Palmara for the Dr. Diego Spanò emblazoned by m in 6 steps.
Argent, a tower with a turret Gules, port and windows Argent. Crest: A mural crown Or.
Arms of the Academia de Letras e Artes da Guiné-Bissau ALAB, designed by Joseph Crews and emblazoned by me.
Blazon: Quarterly: 1 and 4 Azure, on a trimount Vert, a lion rampant, crowned Or, langued and armed Or; 2 and 3 Azure, a palm tree eradicated, between in sinister a lion rampant steeps on it Or, in dexter three millwheels, 2 and 1, and in chief a crescent Argent. Crest: Upon helm affronty Sable, barred Or, lined Gules, issuing from a crown of Baron above the shield and with a wreath Or and Azure, a crown of Marquis. Mantling: Azure doubled Or.
Arms of Dr. Diego Spanò, Barone dei Tre Mulini, and Marquis dei Mazzacuva di Montebello Jonico emblazoned by me in 4 stages.
Sable, a stags' attires Or issuant from a trimount in base Erminois. Crest: Upon a helm, with a wreath Or and Sable, a demi-lion Sable, armed and langued Azure, supporting with both paws a rose Argent, barbed and seeded proper. Mantling: Sable doubled Or. Motto: «We must endure».
Schema for my composition of the coat of arms of Richard Arthur Brinnhard.